In 2021, experimental accordion and cello duo EKKI MINNA approached composer Matthew Grouse and proposed a collaboration based on radical egalitarian working methods, where the roles of ‘performer’ and ‘composer’ were rejected in favour of a more equitable, collective practice. At the core of ‘We're Pleased To Meet Us’ is EKKI MINNA themselves, as different individuals and as two halves of a whole.
We're Pleased to Meet Us is an introspective narrative through elements of documentary footage of the collaborative process, musical commentary, electro-acoustic collage of voices, choreography, instrumentalised lighting and audience participation.
One of the pillars of the work consisted of recorded responses to questions they asked each other at the beginning of the process. The questions provoke a sometimes painful exploration of the parts of ourselves that we normally shy away from. These questions include: ‘What would be the scariest thing to reveal about yourself in front of an audience?’ and ‘What are the biggest challenges in working with your duo partner that you haven't discussed before?’
By bringing out the facets of a musician's life that are usually hidden from the public, we aim to address the pressure artists feel to present a glossy, outward-facing, one-sided portrayal of their career.
The premiere will take place at Xenon (Huset i Magstræde) in Copenhagen on 29 November 2025 as part of MINU_festival_for_expanded_music.
We're Pleased to Meet Us was awarded a residency at Inter Arts Centre in collaboration with the Danish Composers' Society. The project is supported by KODA Kultur.
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Matthew Grouse
Composer
I’m a composer, originally from Yorkshire (UK), currently living in Copenhagen and studying in Aarhus (DK). I often work at an intersection be- tween music for instruments and voices; electron- ic sound; text; video; and performance. Recently, my work has engaged with a re-contextualisation of everyday sounds, objects, spaces and automatic social and physical behaviours.My pieces have involved, amongst other things, documentary techniques; self-reflexivity; repetition; quotidian speech and small-talk; custom-built, tactile electronic instruments like paintbrush synthesizers; staring contests; quotation and disfigurement of pre-existing music; instrumentalised light and scenography; YouTube comments sung by choral singers and a virtual singer soloist; and spatialised orchestral music performed on top of mountains, in train stations, in swimming pools, and in remote communities in the Scottish Highlands.
I am a member of the Aarhus-based compos- er-performer group Current Resonance, regularly contributing to meticulously curated intermedial events.
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EKKI MINNA
Composers & performers
EKKI MINNA performs, curates, and collaborates.
Via their multifaceted interdisciplinary approach, they discover and share genre-fluid avenues of expression and communication. Described as “self-consciously quirky” and “melt[ing] us all, via choreography, into another plain altogether”, they consciously expand the accordion & cello formation beyond instrumentation into something introspective and conscious.Photo: Niklas Ottander